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About Jeremy

The world's soundscapes constantly respond to their surroundings and inhabitants. My designs recreate these dynamic reactions with careful research and craft. On stage, screen, or the airwaves, my primary goal is always to use sound to support storytelling and viscerally transport the listener to a new emotion, time, and place. With this mission always in mind, the services I offer include:

  • Custom tailored original sonic content including effects, soundscapes, and music composition. 
  • Full content & system sound design for theatre.
  • Audio editing & mixing for film, TV, & radio/podcast. 
  • Sonic branding.
  • Custom soundscape installations for museums and events.

Portfolio

Selected Projects

SOUND  DESIGN:

PROJECT:

Cook's Science Live (Upcoming)

Two Dope Queens (Upcoming)

103 Orchard Exhibit (Upcoming)

The Surrounding Game

Caught

Peerless

Audi "Food Loves Tech" event

Radiolab (Guest sound designer)

Taming of the Shrew

The Golden Lotus

Veil'd

Buried Child

Sojourners

Charles Francis Chan Jr...

Stuck Elevator

All American Family

Trestle...Pope Lick Creek

Rain

Hikikomori

Double Love Suicide 

Red Gloves

Phoebe in Winter

Under Milk Wood

Takes on Silence

Trippin' Through Mud

The Mysteries

Carcass

Exploring the Human Body

A Cautionary Tail

The Golden Dragon (assc.)*

White\Hot

Smoke

The Man Under

The Flying Latke

Restoration Comedy

Heresy

Job

Who's Afraid...Wolff

In a Word

House of Home (Asst.)**

Greylock Theatre Proj.

Homebody\Kabul

DIRECTOR:

Switser + Knight

 

Annie Polland

Lockhart & Pruiett

Lee Sunday Evans

Louisa Proske

Sam Buntrock/Brian Tovar

Dylan Keefe

Ed Iskandar

Ed Iskandar

Sarah Krohn

Scott Elliott

Ed Iskandar

Ed Iskandar

Ed Iskandar

Andrew Jenks

Jacquelyn Landgraf 

Estefania Fadul

Jonathan Rosenberg

Dawn Saito

Billy Schultz

Dawn Saito

Michael Sheen

Nellie Perera

Shona Tucker

Ed Iskandar

Paul Takacs

Tinybop

Ben Kamine

Ed Iskandar

Courtney Ulrich

Richard Aven

Ben Kamine

Ben Kamine

Ed Iskandar

Jim Simpson

Ben Kamine

Molly Shoemaker

Ethan Heard

Kerry Whigham

Chris Kauffman

Emily Antenucci

PRODUCER:

America's Test Kitchen

WNYC Studios

Tenement Museum

Moyo Pictures

Playco

Barrington Stage Co.

ion|c

WNYC Studios

Shakespeare Theatre DC

Broadway Asia

Women's Project

The New Group

Playwrights Realm

NAATCO

NYTW @ Dartmouth

CNN Films

Atlantic Acting School

Columbia Drama MFA

NYU Drama MFA

NYU Drama MFA

(Dance Film)

Fordham@Lincoln Cntr

92 St Y /  BBC Wales

IRT

Studio Tisch

Flea Theater

New Worlds

(iOS App)

Flea Theater

PlayCo.

Flea Theater

Mixed Pheonix

Athena

Flea Theater

Flea Theater

Flea Theater

Flea Theater

Vassar College

Williamstown

Willamstown

Williamstown

Vassar College

*(Sound Designer: Katie Down)

**(Sound Designer: Marisa Barnes)

Member: ASCAP, TSDCA.

Foley:

NAMT

NYSF Powerhouse

NYTW @ Dartmouth

92nd St. Y / BBC Wales

PlayCo

 

NOIR

NOIR

Stuck Elevator

Under Milk Wood

The Golden Dragon*

Chloe Treat

Rachel Chavkin

Ed Iskandar

Michael Sheen

Ed Iskandar

Venues Performed:

America's Got Talent, BBC Wales, Turkish National TV (TRT), Sundance Channel, Heineken Web Ad, Food Network Uncorked, 92nd St. Y, Golden Festival, Boston Balkan Night Festival, Harlem Arts Festival, French Cultural Center of Istanbul, Bindlestiff Family Cirkus, Symphony Space, Coney Island Sideshow, Barbés, Manderly Bar @ Sleep No More, Littlefield, Sullivan Room,  Zeba Bar, Nublu, Rockwood Music Hall, Radegast, Spike Hill, Jalopy, Building 16, AS220, Bryant Park, Badehane, Kooperatif, Czechoslovak-American Marionette Company, 

Education:

Vassar College: BA in Political Science. Correlate sequence in Music Composition. General Honors. 

Boğaziçi University: 2 semesters abroad studying Turkish politics, language, and literature. 

School for International Training: State-building and Human Rights in the Balkans.

Technical:

Logic X, Qlab 3, Protools 11, Speakerphone, Altiverb, Kontakt, Waves, Izotope RX5 Advanced, Reaktor, Finale, A2 skills, various digital\analog audio consoles (Yamaha, Avid Venue, Midas, Allen&Heath, etc.), MAX/MSP, Final Cut Pro, Photoshop, Scenic Carpentry, Climbing, Rigging, Soldering, OmniGraffle, Vectorworks, Office Suite, Google Docs, Turkish Language. 

 

Press

The sound design (by Jeremy S. Bloom) [is] eerie and pervasive.
— Ken Jaworowski, New York Times. (Carcass)
Sharp sound design...
— -Jennifer Vanasco, WNYC News. (Sojourners)
Jeremy Bloom’s Sound Design is practically a cast member...it’s richly suggestive.
— Alix Cohen, Woman About Town: (JOB)
The sound is dexterously crafted by Jeremy S. Bloom.
— Theater is Easy: (Charles Francis Chan Jr.)
a wonderful soundscape... One of the most creative moments of the night...
— Michael Block, Theater in the Now: (Restoration Comedy)
Evocative, expansive, and sometimes surprising.
— Martha Wade Steketee, Urban Excavations. (JOB)
The most original sound design...
— -Helen Epstein, Arts Fuse. (Peerless)
An integral part of the play.
— Alix Cohen, Woman Around Town. (Man Under)
Expert sound design.
— Darryl Reilly, Theatrescene.net (Sojourners)
Jeremy S. Bloom especially deserves recognition for his phenomenal sound design.
— ApplaudSquadReviews.com (Peerless)
[Noir] may be the first musical to have sound effects created by on-stage Foley Artist written into the score. Jeremy S. Bloom supplies sounds like door slamming, heavy breathing and loud footsteps.
— Michael Dale, Broadway World. (Noir)
Expert sound design...especially adept at suggesting what it must be like to find oneself terryingly close to a moving subway car.
— David Barbour, Lighting & Sound America: (Man Under)
Lighting designer Charlie Forster and sound designer Jeremy S. Bloom impressively create the illusion of subway trains in the tiny theater space.
— Frank Scheck, NY Post. (Man Under)
Bloom’s trilling lines are as catchy as they are bracing.
— NY Music Daily
Bloom works with various real-life kitchen tools and utensils to create the frenetic chaos of a real restaurant. Unlike most productions, in which sound artists are brought in toward the end of rehearsal to contribute background noise, Bloom rehearsed with the actors every day.
— Kelly Chung Dawson, China Daily. (The Golden Dragon)
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Representation:

Paradigm Talent Agency

Jonathan Mills

jmills@paradigmagency.com   212.897.6400

360 Park Avenue South, 16th Floor. New York, NY 10010

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